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Franz Joseph Haydn: Missa In Tempore Belli: Mixed Choir: Score
39.00 €
Franz Joseph Haydn: Missa In Tempore Belli: Mixed Choir: Score
Soli, choeur mixte et accompagnement
Soli, chÂœur mixte et orchestre
[Partition]
Barenreiter
Mass in Time of War-Haydn was in England in 1795 when he received word from hi...
(+)
Mass in Time of War-Haydn was in England in 1795 when he received word from his new Prince Nicolaus II Esterházy that the Esterházy orchestra was to be reformed and Haydn was to serve again as active Capellmeister.Prince Nicolaus II demanded little from his Capellmeister except the usual routine of administration; but Haydn was to compose every year a new Mass for the name day of the Princess Josepha Maria which was celebrated the Sunday afterwards in the Bergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen?s Day (26 December) 1796. The writer of these notes examined when preparingthis edition the music archives of the church and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion and thus also the work which Haydn had just finished and performed in Eisenstadt.Urtext from Joseph Haydn WerkeFull score parts (BA4652) vocal score (BA4652-90) and study score format 22.5 x 16.5cm (TP94) available for sale
39.00 GBP - vendu par Musicroom GB
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Claudio Monteverdi: LOrfeo: Mixed Choir: Score
130.00 €
Claudio Monteverdi: LOrfeo: Mixed Choir: Score
Soli, choeur mixte et accompagnement
Soli, chÂœur mixte et orchestre
Barenreiter
Favola in musica in un prologo e cinque atti-Monteverdi’s opera “L&r...
(+)
Favola in musica in un prologo e cinque atti-Monteverdi’s opera “L’Orfeo” based on the legend of Thracian singer Orpheus and his love of Eurydice is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the “Palazzo Ducale” in Mantua. When an edition remains true to its sources this certainly does not mean that it is not also practical to use as is demonstrated in this Bärenreiter edition of Monteverdi’s “L’Orfeo”. Edited by Rinaldo Alessandrini the new publication follows the Bärenreiter edition of Monteverdi’s “Il ritorno d’Ulisse in patria”. Two contemporary prints of “L’Orfeo” from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants not only between the two editions but also amongst the eight surviving copies are listed in the critical commentary.This edition of “L’Orfeo” offers in addition to Monteverdi’s somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should however feel free to follow his own judgment. The notation has been when necessary adapted to suit modern practice for example with regard to the clefs. The sections that were originally written in “chiavetta” have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower.Detailed introduction by the editor (Ital/Eng/Ger) on the work’s genesis and performance practiceComprehensive critical commentary (Eng) in the scoreIdiomatic piano reduction
130.00 GBP - vendu par Musicroom GB
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Franz Joseph Haydn: The Creation: Mixed Choir: Part
34.50 €
Franz Joseph Haydn: The Creation: Mixed Choir: Part
Soli, choeur mixte et accompagnement
Soli, chÂœur mixte et orchestre
Barenreiter
The oratorio The Creation represents not only a crucial point in Joseph Haydn's ...
(+)
The oratorio The Creation represents not only a crucial point in Joseph Haydn's compositional output but at the same time marks the beginning of a new chapter in the history of the oratorio.At the turn of the 19th century Haydn broke with the traditional dominance of the arias giving the chorus a distinctly greater significance. This opened the way for a new kind of choral oratorio which became one of the standard features of developing bourgeois concert life.The text translated from the English original by Baron van Swieten Prefect of the imperial court library in Vienna combines prose texts of the creation story inLuther's translation of the Bible with complementary excerpts from John Milton's Paradise Lost.- New edition based on the Urtext from the Complete Edition of “Joseph Haydn’s Works” published by G. Henle Verlag.- Vocal score with a contemporary Piano reduction by A. E. Müller revised by A. Köhs.- Excellent presentation on the page.
34.50 GBP - vendu par Musicroom GB
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Don Besig: A Choral Benediction: SATB: Vocal Work
12.50 €
Don Besig: A Choral Benediction: SATB: Vocal Work
Chorale SATB
[Vocal Score]
Shawnee Press
The Choral Benediction is a melodic gently flowing piece that is appropriately ...
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The Choral Benediction is a melodic gently flowing piece that is appropriately arranged for amateur or church choir.Contemporary American composing partnership Don Besig and Nancy Price has produced more than four hundred works for school and church choirs. These award-winning composers are active as conductors adjudicators and Choral clinicians.
12.50 GBP - vendu par Musicroom GB
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Simon Bainbridge: Eicha: Mezzo-Soprano & SATB: Score
24.99 €
Simon Bainbridge: Eicha: Mezzo-Soprano & SATB: Score
Mezzo-Soprano, Mixed Choir (SATB) and Ensemble
Novello & Co Ltd.
This work commissioned by the Oxford Festival of Contemporary Music is for Mez...
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This work commissioned by the Oxford Festival of Contemporary Music is for Mezzo-Soprano SATB Chorus and Chamber Ensemble. It was premiered by the New London Chamber Choir. Text is from Lamentations of Jeremiah (in Hebrew).
24.99 GBP - vendu par Musicroom GB
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Kids' Songs from Contemporary Musicals: Vocal Solo: Vocal Album
20.99 €
Kids' Songs from Contemporary Musicals: Vocal Solo: Vocal Album
Voix d'Enfants, Piano
[Partition + Accès audio]
Hal Leonard
16 Songs from 8 Musicals-This songbook contains 16 songs from 8 contemporary mus...
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16 Songs from 8 Musicals-This songbook contains 16 songs from 8 contemporary musicals all of which are suitable for children.Kids' Songs From Contemporary Musicals contains pieces from The Addams Family A Christmas Story The Little Mermaid Matilda Seussical the Musical Shrek the Musical and Wonderland. This book also includes recorded accompaniments available online for download or streaming using the unique code printed inside the book.
20.99 GBP - vendu par Musicroom GB
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Franz Schubert: Rosamunde Fürstin von Cypern D 797: Orchestra: Vocal Score
19.50 €
Franz Schubert: Rosamunde Fürstin von Cypern D 797: Orchestra: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chÂœur mixte et piano
Barenreiter
Romantisches Schauspiel in vier Akten mit Musikbegleitung Chören und Tänzen-R...
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Romantisches Schauspiel in vier Akten mit Musikbegleitung Chören und Tänzen-Rosamunde Fürstin Von Cypern D 797Incidental music to the four-act play by Helmina von Chézy.On 20 December 1823 Helmina von Chézy?s ?great romantic drama? ?Rosamunde? received its premiere performance at Vienna?s Theater an der Wien. Unfortunately this version of the drama with ghosts shipwreck pirates attempted poisoning and other horrifying ingredients has not survived unlike Schubert?s popular incidental music which was already praised by contemporary critics. Special acknowledgment was given to ?the genius of this much-loved master? and as evidence of its popularity the overture and the ?Hunters? Chorus? had to beplayed again.Now Bärenreiter is issuing one of Schubert?s best-known compositions in a complete vocal score.The appendix includes Chézy?s draft to the play ?Rosamunde? and a reconstruction of the first version of this drama.Urtext edition based on the ?New Schubert Edition?Bilingual Foreword (Ger/Eng)Idiomatic uncluttered Piano reduction (Ger)Full score (BA5570) and vocal score (BA5570-90) available for sale performance material (BA5570-72) available for hire
19.50 GBP - vendu par Musicroom GB
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Georg Friedrich Händel: Samson: Opera: Vocal Score
24.99 €
Georg Friedrich Händel: Samson: Opera: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chÂœur mixte et piano
[Partition]
Novello & Co Ltd.
Samson an oratorio for soloists mixed chorus and orchestra by George Frideric ...
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Samson an oratorio for soloists mixed chorus and orchestra by George Frideric Handel libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows. This latest addition to the Novello Handel Edition is the first complete modern edition of the composer’s longest oratorio prepared after examination of all known contemporary sources both music and word-books. The publication embodies the complete text known to have been performed at the Covent Garden premiere in 1743 as well as identifying the later shorter versions and additions performed regularly by Handel and an Appendix of allfurther variants created by him and performed during his lifetime. It is thus a comprehensive and flexible edition for between four and eight soloists with an abundance of choral writing and some of Handel’s most sublime writing for voices.Includes an historical preface extensive notes on the performance of the different versions and useful practical notes on the interpretation of Handel.
24.99 GBP - vendu par Musicroom GB
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Ighigénie en Aulide (GLUCK CHRISTOPH WILLIBALD)
90.48 €
Ighigénie en Aulide (GLUCK CHRISTOPH WILLIBALD)
Soli, choeur mixte et accompagnement
Soli, chÂœur mixte et orchestre
Barenreiter
Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigénie en Aulide (Vocal Score) Tragedy ...
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Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigénie en Aulide (Vocal Score) Tragedy - Opera in three acts Iphigénie en Aulide is the first of six operas that Gluck composed for the Académie Royale de Musique. In keeping with his plans for operatic reform, he sought to create noble, expressive and natural melodies that did justice to every language and every national spirit while eliminating the “ridiculous distinction” between national styles of music. Although the première was coolly received at first by the contemporary press, “Iphigénie” developed into a tremendous success. The onrush of listeners was said to have been so great that the management of the Paris Opéra considered placing guards in front of the theatre. Now Bärenreiter is issuing the carefully revised and corrected vocal score in a new engraving adapted to meet their current standards. - Revised and newly engraved - Detailed foreword (Ger/Fr/Eng) on the work’s genesis and reception history, together with a summary of the plot - Practical, straight-forward piano reduction - Performance material available for hire (BA5849-72) / Date parution : 2022-07-20/ Répertoire / Solistes, Choeur et Orchestre
90.48 EUR - vendu par LMI-partitions
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Contemporary Musical Theatre For Teens - Young Women's Edition Vol.1
29.57 €
Contemporary Musical Theatre For Teens - Young Women's Edition Vol.1
Voix d'Enfants, Piano
Hal Leonard
Contemporary Musical Theatre For Teens is a four-volume series providing a giant...
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Contemporary Musical Theatre For Teens is a four-volume series providing a giant resource of songs from the musicals that appeal to the young singer.This first volume for women contains 31 songs from 25 musicals, including Defying Gravity (Wicked), There's A Fine, Fine Line (Avenue Q), What I've Been Looking For (High School Musical), I Can Hear The Bells (Hairspray) and more. / Voix Et Piano
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Giovanni Palestrina: Assumpta Est Maria - Motet (Davison): SATB: Vocal Work
6.99 €
Giovanni Palestrina: Assumpta Est Maria - Motet (Davison): SATB: Vocal Work
Chorale SATB
[Vocal Score]
Chester
Palestrina is one of the towering figures of late Renaissance church music whose...
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Palestrina is one of the towering figures of late Renaissance church music whose polyphonic compositions remain actively performed in the Choral repertoire. He composed more than 250 motets. This one Assumpta Est Maria for theFeast of the Assumption is of particular interest.In 1545 the Council of Trent set out to reform various practices in the Roman Catholic Church in defense of the threats of the new Protestant movement. Clarity of scripturalwords was one of the issues at stake especially as the polyphonic style of which Palestrina was a master overlaid many Vocal lines creating complex textures. It is debated whether this motet with a newfound clarity oflanguage was written in response to the Council of Trent or if it predated the Counterreformation and sprung with its innovations entirely from Palestrina’s own fertile creativity. This edition was prepared from the Vaticanchoirbook contemporary with the composer’s life. It is scored for Cantus I and II Alto Tenor I and II and Bass with rehearsal Piano accompaniment.
6.99 GBP - vendu par Musicroom GB
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Don Besig Nancy Price: Rejoice! Rejoice!: SATB: Vocal Work
13.75 €
Don Besig Nancy Price: Rejoice! Rejoice!: SATB: Vocal Work
Chorale SATB
[Vocal Score]
Shawnee Press
Rejoice! Rejoice! greets Easter morning with joyous majesty. This piece is suit...
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Rejoice! Rejoice! greets Easter morning with joyous majesty. This piece is suitable for amateur or church choirs.Contemporary American composing partnership Don Besig and Nancy Price has produced more than four hundred works for school and church choirs. These award-winning composers are active as conductors adjudicators and Choral clinicians.
13.75 GBP - vendu par Musicroom GB
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David Lantz III Herb Frombach: I Am the Gate: SATB: Vocal Score
13.75 €
David Lantz III Herb Frombach: I Am the Gate: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Shawnee Press
This anthem presents a foundational scripture passage that will tie in with your...
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This anthem presents a foundational scripture passage that will tie in with your lectionary readings for this spring. Jesus' words are carefully delivered creating an opportunity for real ministry by your choir. Gentlycontemporary in style this anthem will be quickly learned but will linger in your hearts and encourage your Christian walk.
13.75 GBP - vendu par Musicroom GB
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Paulus (MENDELSSOHN-BARTHOLDY FELIX)
16.30 €
Paulus (MENDELSSOHN-BARTHOLDY FELIX)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chÂœur), Orchestre
[Partition]
Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...
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Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Paulus (MENDELSSOHN-BARTHOLDY FELIX)
22.70 €
Paulus (MENDELSSOHN-BARTHOLDY FELIX)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chÂœur), Orchestre
[Partition]
Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...
(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Paulus (MENDELSSOHN-BARTHOLDY FELIX)
22.70 €
Paulus (MENDELSSOHN-BARTHOLDY FELIX)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chÂœur), Orchestre
[Partition]
Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...
(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Paulus (MENDELSSOHN-BARTHOLDY FELIX)
202.90 €
Paulus (MENDELSSOHN-BARTHOLDY FELIX)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chÂœur), Orchestre
[Partition]
Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...
(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Marc-Antoine Charpentier: In Nativitatem Domini Canticum: Mixed Choir: Vocal
17.50 €
Marc-Antoine Charpentier: In Nativitatem Domini Canticum: Mixed Choir: Vocal
Soli, choeur mixte et accompagnement
satb (soli), SATB (chÂœur), Clavier
[Partition]
Barenreiter
Charpentier composed ?In Nativitatem Domini Canticum? during his period as maît...
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Charpentier composed ?In Nativitatem Domini Canticum? during his period as maître de musique at the church of St Louis in Paris (around 1690). It is in the tradition of the oratorios of Carissimi and his contemporaries but is more easily described as a ?Grand Motet? or ?Histoire sacrée? a genre in which Charpentier excelled. The work was probably intended for performance during mass on Christmas Day and thus had a liturgical function as was customary during the period of Louis XIV in Paris.The text presents the Christmas story in three sections: the chorus of the faithful the actual story of the birth of Jesus and the adoration ofthe shepherds in the fields. The music reveals a subtle mixture of French and Italian styles with dramatic elements.For the first time this work prepared by the acknowledged Charpentier expert Joel Schwindt is presented in a scholarly-critical edition where all sources have been consulted.A detailed foreword and critical commentary provide detailed information which fulfil all the criteria of an Urtext edition.- First Urtext edition of this work.- An important addition to the repertoire for Christmas.- Straightforward clear Piano reduction.- Foreword (Ger/Eng) and critical commentary (Eng).- Full score performance material (BA7673) & Vocal score (BA7673-90) available for sale.
17.50 GBP - vendu par Musicroom GB
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Paulus (MENDELSSOHN-BARTHOLDY FELIX)
1.40 €
Paulus (MENDELSSOHN-BARTHOLDY FELIX)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chÂœur), Orchestre
[Partition]
Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...
(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Paulus (MENDELSSOHN-BARTHOLDY FELIX)
166.41 €
Paulus (MENDELSSOHN-BARTHOLDY FELIX)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chÂœur), Orchestre
Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...
(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
166.41 EUR - vendu par LMI-partitions
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Paulus (MENDELSSOHN-BARTHOLDY FELIX)
47.90 €
Paulus (MENDELSSOHN-BARTHOLDY FELIX)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chÂœur), Orchestre
[Partition]
Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...
(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
47.90 EUR - vendu par LMI-partitions
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Paulus (MENDELSSOHN-BARTHOLDY FELIX)
22.70 €
Paulus (MENDELSSOHN-BARTHOLDY FELIX)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chÂœur), Orchestre
[Partition]
Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...
(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
22.70 EUR - vendu par LMI-partitions
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Paulus (MENDELSSOHN-BARTHOLDY FELIX)
22.70 €
Paulus (MENDELSSOHN-BARTHOLDY FELIX)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chÂœur), Orchestre
[Partition]
Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...
(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
22.70 EUR - vendu par LMI-partitions
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Paulus (MENDELSSOHN-BARTHOLDY FELIX)
168.89 €
Paulus (MENDELSSOHN-BARTHOLDY FELIX)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chÂœur), Orchestre
[Partition]
Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...
(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
168.89 EUR - vendu par LMI-partitions
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Paulus (MENDELSSOHN-BARTHOLDY FELIX)
22.70 €
Paulus (MENDELSSOHN-BARTHOLDY FELIX)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chÂœur), Orchestre
[Partition]
Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...
(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
22.70 EUR - vendu par LMI-partitions
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The Sunday Singer (Spring/Easter 2010): Mixed Choir: Vocal Score
37.50 €
The Sunday Singer (Spring/Easter 2010): Mixed Choir: Vocal Score
[Vocal Score]
Daybreak Music
The Sunday Singer is a choral publication for smaller-sized church choirs that c...
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The Sunday Singer is a choral publication for smaller-sized church choirs that consists of several accessible anthems representing original works and arrangements of hymns and contemporary favorites. For each title specialattention has been given to voice leading limited vocal ranges and carefully crafted piano accompaniments. Published two times a year The Sunday Singer will serve as a valuable resource for your choir throughout thechurch year.The Spring/Easter 2010 issue includes six titles: Thank You Lord (arr. Marty Parks) • God of Grace and God of Glory (arr. Keith Christopher) • Easter Morning Medley (Christ the Lord Is RisenToday; Christ Arose) (arr. Gary Lanier) • The Cross Says Come (arr. Camp Kirkland) • Out of Love He Broke the Bread (John Parker/Benjamin Harlan) • House of the Lord (Keith Wilkerson). Available separately: ChoralBook Preview CD ChoirTrax CD (Split-Trax Instruments Only) Kit (10 Choral Books 1 ChoirTrax CD 1 Preview CD) Preview Pak (1 Choral Book 1 Preview CD) Choral Book 10-Pak Preview CD 10-Pak.
37.50 GBP - vendu par Musicroom GB
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The Sunday Singer Fall/Christmas 29: Mixed Choir: Parts
74.99 €
The Sunday Singer Fall/Christmas 29: Mixed Choir: Parts
Daybreak Music
The Sunday Singer is a choral publication for smaller-sized church choirs that c...
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The Sunday Singer is a choral publication for smaller-sized church choirs that consists of several accessible anthems representing original works and arrangements of hymns and contemporary favorites. For each title specialattention has been given to voice leading limited vocal ranges and carefully crafted piano accompaniments. Published two times a year The Sunday Singer will serve as a valuable resource for your choir throughout thechurch year.The Fall/Christmas 2009 issue includes five titles: Give Thanks with O Come Let Us Adore Him (arr. Philip Keveren) ? He Made a Way in a Manger (arr. Camp Kirkland) ? Carry the Light(arr. Keith Christopher) ? Ancient Words (arr. Marty Parks) ? Thanksgiving Song (arr. John Purifoy). Available separately: Choral Book ChoirTrax CD Kit (10 Choral Books 1 ChoirTrax CD 1 Preview CD) Choral Book10-Pak Preview CD Preview CD 10-Pak Preview Pak (1 Choral Book 1 Preview CD).
74.99 GBP - vendu par Musicroom GB
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Confetti and Cake: Mixed Choir: Vocal Album
14.99 €
Confetti and Cake: Mixed Choir: Vocal Album
Chorale SATB
SATB A Cappella
[Conducteur]
Boosey and Hawkes
Music for the perfect wedding day... religious service civil ceremony & recepti...
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Music for the perfect wedding day... religious service civil ceremony & reception-Whether it be a traditional white wedding in church or a contemporary civil ceremony in non-religious surroundings everyone wants their wedding day to be perfect. The pieces in the Confetti and Cake volume will help wedding couples and choirs alike choose the most appropriate and effective music for any occasion.There is music that caters for all tastes and abilities offering plenty of balance and variety. Pieces range from very simple to the somewhat more complex. Standard sacred repertoire (Bach Gounod Mozart Walford Davies etc.) is followed by some contemporary church anthems one (by Will Todd) written specially for this book; favourites such as theperennial Flower Duet appear alongside other enticing non-religious music; finally we have some secular romantic love songs (Jerome Kern Swingle numbers and even some G&S!) which cannot fail to capture the mood of the day. Sing these either at the ceremony itself or perhaps later at the reception.There are notes at the end of the book which provide very brief background information: eg texts (with translation where appropriate) dates and approximate timings so the ceremony can be planned meticulously.Whatever the circumstances and size of your choir there will be a something within this volume that will suit you. But more than that the versatility of the Concerts for Choirs series is such that it can be used as an invaluable resource for choral material whatever your requirements.
14.99 GBP - vendu par Musicroom GB
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Take That: Patience.: Mixed Choir: Vocal Score
3.50 €
Take That: Patience.: Mixed Choir: Vocal Score
Voix seule
Faber Music Limited
Choir Rocks! Patience presents Take That's hit single arranged for a beginner...
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Choir Rocks! Patience presents Take That's hit single arranged for a beginner choir with straightforward piano accompaniment. This piece is for soprano and alto with an optional third part of limited range for baritone or low alto. Chord symbols are included too. The Choir Rocks Series offers a range of flexible arrangements of contemporary pop hits
3.50 GBP - vendu par Musicroom GB
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